Multimodal IP Developer
I build original projects through XRVRS, a foundry where I design the technical pipelines that carry a single concept across multiple formats. A film, an immersive EXPERIENCE, A LIVE MUSCIAL EVENT, an art exhibit: each begins as a working prototype, tested and refined before final production.
THE WORK
I design the technical and narrative structures that allow a single concept to exist across multiple formats. My role is that of a transmedia architect: I manage the entire production process, taking a core idea (a novella, a musical work, a visual concept) and building the framework that carries it into 2D films, animations, documentaries, and live immersive experiences.
Twenty-seven years of creative and technical work in film, new media, art exhibits, and music productions inform every project I take on. My process centers on technical testing and the internal logic of the work to establish the visual and audio path. I design the frameworks that move a narrative from a page or a score into a physical or digital environment, with total oversight of the production from concept through delivery.
CONSULTING
I take on a limited number of external projects as a technical partner. My focus is on providing the structural logic and execution frameworks that a project requires to move across formats: the storytelling, the production pipeline, and the architectural plan needed to carry a concept from a screen into a physical gallery space or live event
ABOUT
The work I do is defined by a commitment to strict execution and the ability to architect clear structures for complex narrative projects. This practice is built on a belief that rigorous editorial analysis is the foundation of all successful narrative architecture. Whether I am cutting a feature documentary or developing a multimodal IP, the focus remains on the internal logic of the work and the technical precision required to deliver it on schedule.
My editorial discipline (which took shape between the Liszt Academy in Budapest and the American Film Institute) centers on the rhythmic logic inherent in a score or a story. Over twenty-five years, this perspective has guided collaborations with artists such as Julie Dash and Dr. Dre, alongside organizations including Netflix, the Canadian Broadcasting Corporation (CBC), and Vogue. These engagements (including the AIFA award-winning feature "Ten Days with Art") serve as proof of concept for a methodology that prioritizes the structural integrity of the vision.
Through XRVRS, I lead a proprietary incubator where I design the technical pipelines to adapt core conceptual material directly into franchise-ready assets. This process (influenced by a long-term interest in Southwestern architecture and the technical rigors of analog darkroom photography) utilizes emerging technologies under strict creative direction. The goal is to build frameworks that allow a single idea to move from its source into film, immersive environments, and live events while maintaining a cohesive, singular identity.
ACROSS ALL CONTRACT ENGAGEMENTS AND PROPRIETARY DEVELOPMENT, MY PRIORITY IS STRICT EXECUTION. I FOCUS ON ARCHITECTING CLEAR STRUCTURES AND DELIVERING COMPLEX PROJECTS ON SCHEDULE.
Let's Begin the Conversation
If you have a project that requires structural planning across formats, I am open to a conversation about the work.